Jaguar Curatorship, the Poetics of the Multiple. A decolonial approach in the production of the new public institutionalism

Abstract

The collective and the common are categories that describe and affect art practice, the new forms of creation, and the culture of curatorship. This conversation approaches them from a shared experience, the setting in motion of a Factory of Authorless Cinema in Intermediæ, a public institution of art and culture, located in Madrid's Matadero. From an auto-ethnographic and performative standpoint, we analyse the opportunities this opens up for the production of a new cultural institution. This situated understanding of curatorship and mediation allows us to discuss the role of the political epistemology of the commons in the current redefinition of the public sphere and to propose a decolonial affecting of this notion from the standpoint of multiplicity. Public, commons, rotation and temporality become the keywords that guide this text. In the construction of the problem we see how art and culture can become a space to play out new forms of governance where, on the basis of poetic models of thought, new futures for this public space we share can be created. The question is posed by a situated curatorship and mediation, in the context of the public institution, for the composition of a temporary, variable community, in constant movement and transformation, from a decolonial vantage point, which we call jaguar.