Angry women in horror: Challenging traditional notions of femininity

Keywords: female rage, female horror, the monstrous feminine, good-for-her genre, keening
Data availability: https://vimeo.com/850886915

Abstract

One of the major contributions to popular culture by feminist movements has been that of the figure of the angry woman in horror cinema. Although the expression of female rage challenges traditional notions of femininity and disassociates strength and power from masculinity, it also makes women to be portrayed as perverse and monstrous. With this videographic essay, I want, on the one hand, to show how the rage of women protagonists in horror has nevertheless recently been depicted as the complex emotion it is. On the other hand, this video essay proposes to emphasize the idea of rage as a site of political resistance that can be channelled into a productive form of social change and justice. To this end, I focus on a scene from Midsommar (Aster, 2019) in which a group of women reflect the protagonist’s emotions of rage and pain as a form of healing. Their cries connect to those of the women who in 1984 protested nuclear weapons in Greenham (England), weaponizing traditional notions of femininity to denounce an environmental injustice.

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Author Biography

Eva Álvarez-Vázquez, University of Massachusetts Amherst

Eva Álvarez-Vázquez is a PhD Candidate and Teaching associate in the Hispanic Literature and Linguistics program at the University of Massachusetts Amherst. She earned her B.A. in English Studies from the Universidad de Oviedo and her M.A. in European Literature and Second Language Teaching from the Universidad de Huelva. She is currently pursuing a Graduate certificate in Film Studies. Her research interests revolve around Iberian cinemas, horror cinema, memory studies, gender studies and videographic criticism.

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Published
2024-01-31
Opr
How to Cite
Álvarez-Vázquez E. (2024). Angry women in horror: Challenging traditional notions of femininity. Teknokultura. Journal of Digital Culture and Social Movements, 21(1), 103-105. https://doi.org/10.5209/tekn.90189

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Grupo de Investigación Cultura Digital y Movimientos Sociales. Cibersomosaguas