Music programs on television: An oasis beyond talent shows

Keywords: contents, formats, interviews, live music, television programs
Agencies: Investigación financiada por el Departamento de Periodismo de la Universidad de Málaga×

Abstract

After having up to eighteen music programs on the Spanish television schedule, over the last decade live music has been gradually taken off the air, with the exception of the omnipresent talent contests and the New Year’s Eve special. Recently, this trend seems to be reversing with the introduction of new shows such as Banana Split and Un país para escucharlo (both on Spanish television’s secondary public channel ‘La 2’). However, in October 2018 the most notable change occurred with the broadcast of a primetime live music program, La Hora Musa, on ‘La 2’, and Sesiones Movistar+, a program dedicated each week to a specific group or artist and broadcast on a private channel. Both projects were launched with the aim of resuscitating concerts and interviews on the small screen. The objective of this research was to explore the dimension and content of these two programs, contextualizing them and conducting a comparative analysis that allowed us to explore if past music programming formats have been recovered or if, on the contrary, a structural renewal has taken place. In terms of methods, in addition to a review of bibliographic and audio-visual sources, a content analysis of the first season of both programs was conducted, along with semi-structured interviews with the program managers and musicians who had played on the shows. In the conclusions, we highlight the significant similarities between both programs, although the program hosted on public television channel stands out for a greater variety of music genres and international artists, as well as the emergence of new opportunities for professionals in music journalism.

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Author Biographies

Carmen del Rocío Monedero Morales, Universidad de Málaga

Profesora contratada doctor en el Departamento de Periodismo de la Universidad de Málaga y doctora en Periodismo con mención europea en 2008.  Su trayectoria profesional está vinculada a los gabinetes de comunicación política e institucional y al periodismo musical y cultural. Desde 2005 imparte clases en la UMA y es miembro de varios equipos de investigación centrados en comunicación de proximidad, comunicación y educación y en periodismo cultural.  Ha participado en múltiples congresos nacionales e internacionales y en publicaciones diversas con investigaciones relacionadas con sus especialidades. Desde hace 6 años forma parte del equipo decanal de la Facultad de Ciencias de la Comunicación de la UMA.

Alberto Rosa López, Investigador independiente

Graduado en Periodismo por la Universidad de Málaga y Máster en Periodismo Cultural y Nuevas Tendencias por la Universidad Rey Juan Carlos. Periodista con especial vinculación al mundo de la cultura y músico. Su trayectoria profesional ha estado vinculada a agencias y medios de comunicación como Europa Press y Málaga Hoy y a empresas del sector cultural como el Festival de Cine Español de Málaga o el Teatro de la Zarzuela de Madrid.

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Published
2021-12-10
Opr
How to Cite
Monedero Morales C. d. R. y Rosa López A. (2021). Music programs on television: An oasis beyond talent shows. Teknokultura. Journal of Digital Culture and Social Movements, 19(1), 67-75. https://doi.org/10.5209/tekn.74689

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Grupo de Investigación Cultura Digital y Movimientos Sociales. Cibersomosaguas