Digital primitivism. Tinder and the neoliberal cosmology on finding romantic love

Keywords: algorithm, astrology, millennial, oracle, New Sublime

Abstract

Based on the case study of the online dating application Tinder, we inquire about how the ideology of Big Data updates certain archaic references of the divinatory arts. Today, the resurgence of systems that interpret the influence of the stars in our neoliberal cosmology speaks to us, on the one hand, of the survival of an ancestral fascination with the night sky and the need to explain our origin and destiny; but above all it speaks of a greed-fuelled system of exploitation that capitalises on these needs in order to obtain an output that responds to the characteristics of the present time. In the computational universe of digital capitalism algorithms function as oracles: they have the ability to determine the future of networked users according to their patterns of consumption. Algorithms are no longer simply instructions to be executed, but have become scenic entities that select, evaluate and transform urban infrastructures and our ways of life.

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Author Biography

Núria Gómez Gabriel, Universitat Pompeu Fabra de Barcelona

Núria Gómez Gabriel is an artist, curator and researcher specialising in visual culture. Her work investigates the effects of globalization in the contemporary visual culture. Graduated in Art and Design from the Universitat Autónoma de Barcelona (UAB), she holds a Master’s Degree in Critical Studies in Audiovisual  Art and Contemporary Cinema from the Universitat Pompeu Fabra (UPF). She is currently teaching artistic investigation and visual narrative at the Arts & Design degree of Escola Massana (UAB), and collaborating as a researcher in the CINEMA Aesthetic Research Group of Audiovisual Media at the UPF, where she’s also carrying out her doctoral thesis in communication. She co-authored the essay Love me, Tinder (Editorial Planeta, 2019) and she has written for platforms like the CCCBLAB Investigación e Innovación en Cultura of the Centre for Contemporary Culture of Barcelona (CCCB). Between 2018-2019 she has been researcher in residence at the MACBA Study Centre. Her projects have been shown in places like the festival LOOP Barcelona (Barcelona, 2018), Festival Internacional de Cine Documental de Navarra Punto de Vista (Baluarte –Navarra, 2018) and the Festival Kosmopolis (CCCB, Barcelona, 2018). She has collaborated in many exhibitions like Legible-Visible, Entre el fotograma y la página curated by Mela Dávila and Maite Muñoz (Arts Santa Mònica –Barcelona, 2017), Políticas DIY en el ensayo audiovisual curated by Antonio Ortega (Fundació Joan Miró –Barcelona, 2017), Harun Farocki. Empathy curated by Antje Ehmann and Carles Guerra (Fundació Antoni Tàpies, –Barcelona, 2016) and the series of conferences The Museum is Closed, put together by Myriam Rubio (MACBA, Barcelona, 2017), among others. She has won the ACCA Award for artistic production with her project La Repetició (Arts Santa Mònica, 2018).

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Published
2020-09-09
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How to Cite
Gómez Gabriel N. (2020). Digital primitivism. Tinder and the neoliberal cosmology on finding romantic love. Teknokultura. Journal of Digital Culture and Social Movements, 17(2), 169-177. https://doi.org/10.5209/tekn.68542

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Grupo de Investigación Cultura Digital y Movimientos Sociales. Cibersomosaguas