The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language

  • José Roberto Vila Oblitas Universidad de Málaga
  • Vanesa Francisca Guzmán Parra Universidad de Málaga
DOI: https://doi.org/10.5209/rev_ARIS.2013.v25.n1.41162
Keywords: Cinema, painting, Jean Renoir

Abstract

This paper examines the application of the techniques of impressionism to the cinematographic work of Jean Renoir. It is not just a question of influence of the parent-child relationship between the author and his father, Jean Renoir has a premeditated intention to translate the impressionism techniques to the movies.

The research is based on the analysis of the cinematographic work of Jean Renoir, with special reference to Une partie de campagne (1936).

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Published
2013-01-09
How to Cite
Vila Oblitas J. R. y Guzmán Parra V. F. (2013). The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language. Arte, Individuo y Sociedad, 25(1), 31-42. https://doi.org/10.5209/rev_ARIS.2013.v25.n1.41162
Issue
Vol. 25 No. 1 (2013): 25 aniversario
Section
Articles

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