Articles

• Glocal Cinema: The Film Loreak as Ambassador of Cinema in the Basque Language

  Amaia Nerekan Umaran, Iratxe Fresneda Delgado

  267-289

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• The "Motorized" (Camillo Mastrocinque, 1962): A Standard Type of Co- Production in the Spanish Cinema of the Sixties

  Alberto Fernández Hoya, Gema Fernández Hoya

  291-311

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• The Representation of the "Femme Fatale" in the Narrative Universe of "Muerte de un ciclista" (Juan Antonio Bardem, 1955)

  Silvia Guillamón Carrasco

  313-331

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• Censorship in Korean Cinema. Desire and Death in "Hanyo"

  Mar Marcos Molano, Nuria Pérez Matesanz

  333-348

  • PDF (Español (España))
• Self-Determination, Transnationality, Multiculturalism and Universalism in the TV-Movie "Sanctuaire" (Olivier Masset-Depasse, 2015)

  David Pérez Sañudo

  349-365

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• The New Advertising, A New Integrating Process

  Celia Rangel, Mª José Carretero Velasco

  367-393

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• The Discourse of Self-Promotion and Authenticity in Social Networking Sites: Personal Branding and Microcelebrity

  Lucía Caro Castaño

  395-411

  • PDF (Español (España))