Genesis and Formalization of the Religious Hue in Marqués de Villa- Alcázar’s Agricultural Documentaries
Abstract
One of the characteristics in Marqués de Villa-Alcázar’s film work is the presence of what he called the ‘religious or spiritual hue’. This paper focuses on the analysis of that hue from the script writing up to —after the mandatory censorship process— its formalization in the film, with the aim of verifying its recurrence in several of his productions from different stages of Francoism.Downloads
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