Film, data, and platform: production and reception trends on Netflix Spain (2020-2024)

Keywords: netflix, spanish cinema, SVOD, digital platforms, audiovisual production

Abstract

This study analyzes the landscape of Spanish film production released by Netflix between 2020 and 2024. The chosen period is especially significant as it coincides with the consolidation of subscription video-on-demand (SVOD) services, although its temporal delimitation may hinder the identification of long-term trends. The research focuses exclusively on Spanish fiction feature films in which Netflix had a substantial involvement, either through production, co-production, or exclusive distribution rights. A mixed-method approach was applied, combining quantitative and qualitative perspectives. The corpus was built through manual coding of Netflix’s Spanish catalogue, complemented with specialized databases such as IMDb and Filmaffinity. The analysis is structured around seven key dimensions: year of release, runtime, genre, release period, type of production, collaborating production companies, and audience reception. The findings reveal recurrent patterns in Netflix’s film offer, both in terms of format and release strategies, as well as in its collaborative models with the Spanish audiovisual industry. Furthermore, the study explores the reception of these productions by audiences and situates them within the broader framework of Netflix’s brand strategy. In doing so, it provides a comprehensive approach to understanding the role played by Spanish feature films within the contemporary digital ecosystem.

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Author Biographies

Jorge Abad-Pérez, University of Alicante

Doctorando en la Universidad de Alicante: Empresa, Economía y Sociedad. Grado en Publicidad y RRPP y Máster en Comunicación e Industrias Creativas por la UA. Línea: Comunicación, Comportamiento y Sociedad. Sus líneas de investigación se centran en los estudios sobre la relación entre SVOD y televisión

Patricia Palomares-Sánchez, University of Alicante

Investigadora predoctoral (CIACIF) en el Departamento de Comunicación y Psicología Social de la Universidad de Alicante. Máster en Comunicación e Industrias Creativas (Universidad de Alicante). Sus líneas de investigación se centran en el análisis del discurso televisivo, la ficción seriada y las industrias culturales desde una perspectiva de género.

Tatiana Hidalgo-Marí, University of Alicante

Profesora Titular de Semiótica de la Comunicación de Masas en el Departamento de Comunicación y Psicología Social de la . Sus principales líneas de investigación son la ficción televisiva, la historia de la televisión y la industria audiovisual con perspectiva de género.

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Published
2026-02-19
How to Cite
Abad-Pérez J., Palomares-Sánchez P. y Hidalgo-Marí T. (2026). Film, data, and platform: production and reception trends on Netflix Spain (2020-2024). Estudios sobre el Mensaje Periodístico, 32(1), 189-200. https://doi.org/10.5209/esmp.104928
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Articles