En torno a la posibilidad de rastrear una Escuela Escéptica de Pintura.

Abstract

About how the study and practice of painting as a discipline of seeing can take us from a radical scepticism to the most absolute indifference an end up deciding to retire, as a form of taking part on the matter. About the sceptical sight as an exercise of "seeing carefully" as the main task of the painter. About the painting as a "discipline of seeing". Where the work of some painters in the world that have been and others that have not been is consider. About the "Duchamp solution". Of how the painting "never was what it was" or around diverse deaths of the painting. The "right to paint" as a way to recover a pictorial practice (as invitation to bring up again that right). About "the false monederos" in painting. Well, notes for a sceptical practice of painting with the objective of being able to continue painting as a form of resistance, sometimes against the own painters.