Marcel Broodthaers: décors. La exposición es la obra
Abstract
In the most recent retrospective exhibitions of Marcel Broodthaers, in particular such of Madrid (1992) and Brussels (2001), the artistic production of this author has been interpreted ingenously. This article makes evident in which way the belge artist disjoints the museistic dispositive from the institution itself, opening a gap for future conventional exhibitions of his objectual production.Downloads
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