The TV Set (1974, 2022) as Intracultural Remake: From the Society of Spectacle to Surveillance Capitalism

Keywords: remake, Tales to Keep You Awake, The TV Set, Narciso Ibáñez Serrador, Jaume Balagueró, hypertextuality

Abstract

This paper explores the potential and artistic relevance of the contemporary remake through the specific case of The TV Set (1974), a piece included in the Tales to Keep You Awake (1966-1982), currently updated in the year 2022. It is proposed that the new version directed by Jaume Balagueró is an intracultural remake, in which a heterodiegetic appropriation is carried out to rearticulate Ibáñez Serrador’s findings and insert them in a contemporary context whose paradigm implies the surpassing of the original. Starting from the thought-provoking allegorization of the ideas on the role of the society of spectacle in the late Francoist period, the remake updates its socio-cultural dialogue, now oriented to the role of multi-screen mediatization in surveillance capitalism. In this sense, there is suggestive proof of the continuing relevance of certain narratives, which can be periodically revisited through the transformative dynamics of the remake.

Downloads

Download data is not yet available.
View citations

Crossmark

Metrics

Published
2025-09-11
How to Cite
Sánchez López F. (2025). The TV Set (1974, 2022) as Intracultural Remake: From the Society of Spectacle to Surveillance Capitalism . Área Abierta. Revista de comunicación audiovisual y publicitaria, 25(2), 241-255. https://doi.org/10.5209/arab.97395