October was Carnival: From the Crazy people’s party to the Party of those who are left over on the stage of the social revolt of October-19 in Chile

Keywords: Carnival, Social Outbreak, Popular Resistance, Performance Studies, Representational Crisis

Abstract

Given the recent and turbulent past of what happened in the so-called Social Outbreak, the following article will analyse, from a performative perspective, the historical and carnivalesque scenario of social unrest expressed in Chile during October 2019. With this we intend to address the evident crisis of representativeness of an agglomeration without a subject in its coefficient of revolt, insofar as it comprises a “repertoire” (Taylor, 2015) that has managed to be transmitted, despite all attempts of hegemonic repression, under various forms of festive expression of Chilean idiosyncrasy. This leads us to think about a displacement of historical-popular roots (that is, the once crazy people’s party, now the party of those who are left over) that would account for the materialities of possible social struggles not necessarily inscribed in a specific political sector. In this sense, we will review in a general way the theoretical discussion about carnival in Europe and Latin America and its political disruptive potential. Then, through a situated study we will reflect on the elements that reveal the scenario of the octobrist revolt, both in its full participation and in its attempt of analytical distancing.

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Author Biography

Ignacio Barrales Parra, Universidad de Chile
Actor Graduated in Performing Arts from the University of Playa Ancha, 2018. Pursuing a Master of Arts with a mention in Theory and History of Art from the University of Chile (Funded by the Chile Crea Scholarship 2022). Director and playwright of the Teatro Estudio Nos Company, Valparaíso. Teacher in Theater Studies and Art Theory. Independent scenic researcher. Academic secretary of the School of Digital Communication of the Faculty of Communications, UNIACC. Research project assistant "Theatrical cartography of Valparaíso: analysis of the Buenos Aires staging of the 21st century" by Dr. Verónica Sentis Herrmann (selected by the National Research and Development Agency, Fondecyt Regular 2023 competition). Researcher of the master's thesis project "Minstrelsy and resistance: Analysis of the one-man shows The Day of Judgment (2000) and Baenqüeros (2012) by Andrés del Bosque" in the Master of Arts program with a mention in Theory and History of Art at the University from Chile (Chile Crea Scholarship 2022). Member of the Nucleus of Postcritical Art Studies of the Faculty of Arts of the University of Chile.
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Published
2024-07-24
How to Cite
Barrales Parra I. (2024). October was Carnival: From the Crazy people’s party to the Party of those who are left over on the stage of the social revolt of October-19 in Chile. Talía. Revista de estudios teatrales, 6, 75-83. https://doi.org/10.5209/tret.94229