Artificial Intelligence, Goya and learning to draw. First steps

Keywords: Goya, Artificial intelligence, Learning to draw, Art education, Images and words

Abstract

We have taught (or trained) artificial intelligence to draw after a selection of drawings and engravings by Goya, using the open-source Stable Diffusion platform. Our goal has been to find out what we can learn, as visual arts teachers —a very different topic would be as visual artists—, from the drawings created by artificial intelligence. We have tried variations of learning using different sets of model images, either many and diverse, or few and very homogeneous, including long descriptive texts accompanying each image, or only images without associated written text, and, above all, insisting on successive learning sessions with the same model images. We present a selection of the most satisfactory results: 40 drawings grouped in ten series of four.

For professionals in the teaching of drawing, the first three sensations with artificial intelligence are: speed, wide dispersion of the artistic quality of the results, and remarkable stylistic congruence with the drawings used as models. Our inquiry has been a two-way journey: artificial intelligence has learned to draw after Goya's drawings, generating results of acceptable quality, and we have learned to incorporate artificial intelligence into the learning of drawing.

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Author Biographies

Ricardo Marín-Viadel, Universidad de Granada (España)

Profesor de Educación Artística en el Departamento de Didáctica de la Expresión Plástica de las Facultades de Bellas Artes y de Ciencias de la Educación de la Universidad de Granada.

Ricardo Campos, Universidad de Granada

Licenciado en derecho, está especializado en la protección de los derechos de autor y propiedad intelectual, así como en la rama más mercantil del arte y el diseño. Durante más de 15 años ha trabajado en proyectos educativos y creativos, estando muy vinculado al arte digital y tradicional. En paralelo, ha desarrollado una carrera como mentor y coach especializado en estrategia creativa, y actualmente es co-fundador de Neurona.top, una consultora especializada en arte, tecnología y creatividad. Actualmente está cursando su doctorado en la Universidad de Granada. Su campo de interés es entender el pasado, presente y futuro de la tecnología, especialmente la inteligencia artificial, en las profesiones artísticas. Esto le ha permitido trabajar con profesionales de ingeniería creativa de alto nivel.

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Published
2024-02-07
How to Cite
Marín-Viadel R., Campos R. y Roldán J. (2024). Artificial Intelligence, Goya and learning to draw. First steps. Arte, Individuo y Sociedad, 36(2), 329-343. https://doi.org/10.5209/aris.92891
Section
Articles