Ai Weiwei: The reception of his artistic production

  • Laia Manonelles Universidad de Barcelona. Universitta Oberta de Catalunya
Keywords: Ai Weiwei, artistic reception, art and politics, activism

Abstract

Ai Weiwei is the artist with greater visibility inside and outside China, he stands out for his prolific, diverse, committed and controversial artistic production. His proposals raise considerable interest and obtain an outstanding impact in China and in an international scenario. Indeed, he is one of the Chinese contemporary artists that have achieved greater presence in the media and in the Spanish exhibition circuits, an example of this is the organization of the first museum exhibition of his work at the Centro Andaluz de Arte Contemporáneo (2013) and the premiere of the documentary film about his life and his work Never Sorry (2013), directed by Alison Klayman.

Ai Weiwei is a public figure and his visibility becomes a platform from which to articulate artistic projects that focus on specific social problems. At the same time, the political criticism of Ai Weiwei is especially attractive in a Euro-American context which emphasizes his role as a dissident and agitator. Within these parameters, we will delve into the reception of the artistic production of Ai Weiwei both in the international and the Spanish context, by analyzing the approach of the media about this author.

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Author Biography

Laia Manonelles, Universidad de Barcelona. Universitta Oberta de Catalunya

Laia Manonelles Moner es doctora en Historia del arte por la Universidad de Barcelona, de cuyo departamento es actualmente profesora lectora. Ha impartido clases en el Máster de Estudios chinos del Departamento de Humanidades de la Universidad Pompeu Fabra y es profesora consultora del Máster de Estudios de China y Japón. Ha publicado Arte experimental en China, conversaciones con artistas (2011) y numerosos artículos sobre arte contemporáneo. Ha participado en seminarios, cursos y conferencias. Ha realizado una serie de entrevistas documentadas en vídeo a artistas chinos que se han mostrado en varios museos (Artium, Palau de la Virreina y Reina Sofía). En 2010 comisarió la exposición Construyendo China: visiones de una transformación en el Instituto de Estudios Ilerdenses en Lérida. Forma parte de los grupos de investigación Grega (Universidad de Barcelona), Interasia (Universidad Autónoma de Barcelona) y es investigadora asociada del SOAS de Londres (School of African and Asian Studies).

 

INSTITUCIÓN: Profesora lectora, Departamento de Historia del Arte, Universidad de Barcelona. Profesora consultora UOC

DIRECCIÓN: Dra. Laia Manonelles Moner. Universitat de Barcelona, Facultat d’Història de l’art. Carrer de Montalegre 6, Planta 5, 08001 Barcelona (Spain).

 

TELÉFONO: 651043267


 

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Published
2015-09-03
How to Cite
Manonelles L. (2015). Ai Weiwei: The reception of his artistic production. Arte, Individuo y Sociedad, 27(3), 413-428. https://doi.org/10.5209/rev_ARIS.2015.v27.n3.45730
Section
Articles