Three mouvements to configure the role of the artist in Latin America. A reading of Ricardo Carpani’s writings
Abstract
The article proposes a chronological reading in the characterizations of the artist from three distinct moments, as are submitted by the argentine artist Ricardo Carpani in their articles and books published between 1958 and 1985. In the roadmap we exalt the evolution of the concept of artist in the own theoretical reflection on Ricardo Carpani differentiating the requirements of the “free artist”, the “revolutionary artist” and “the militant artistic”. At the same time, leaving evidence that such speculation is a correspondence with variations in the artistic practices and politics practices of the own Carpani, carried out in a key moment in the political history in Argentina and in Latin America.Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Arte, Individuo y Sociedad is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.