Copy "versus" original-multiple. A dialogic relationship in the reproducible graphic art
Abstract
The concept of graphic work in the practice of graphic art (seriable and/or reproducible), has changed in parallel to our way of thinking and delimit legislatively ideas as limit copying, reproduction, creation, multiple, original, edition, etc. In what context we begin to consider the concept of copy pejoratively? Is this because the design of regulatory systems that we devised to protect the rights of artists to reproduce his graphic works? This text addresses the relativization that the interdisciplinary creative processes of contemporary artists have produced on the concept of graphic art, and on the traditional dichotomy “copy versus multiple-original”.Downloads
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