Éric Rhomer’s Conte d’été: Narratological Interpretation Keys, Spatiotemporal and Thematics

  • Teresa Nozal Cantarero Facultade de Ciencias da Comunicación Universidade da Coruña
  • Efrén Cuevas Álvarez Facultad de Comunicación. Universidad de Navarra.
Keywords: Narratology, Textual Analysis, Thematic Cristicism, Éric Rohmer, Contes des quatre saisons

Abstract

In 2016 we commemorate the 20th anniversary of the release of Conte d'été, the third film by filmmaker Éric Rohmer in his well-known series Contes des quatre saisons. On this occasion we offer an analysis of Conte d'été following a methodology of textual analysis, focusing on three interdependent levels that combine the main contributions of narratological analysis and thematic criticism. At the first level, the narrative structure of the film is analyzed, with the methodology proposed by Gerard Genette applied to cinema. On the second level intradiegetic space and time is analyzed. The third level deals with thematic anlysis, which highlights some of the constants of Rohmer’s films present in Conte d'été: the conflicts around the couple, chance and its role in the life of the protagonist, or the difficulties in personal communication, conveyed through a verbal loquacity about feelings.

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Author Biographies

Teresa Nozal Cantarero, Facultade de Ciencias da Comunicación Universidade da Coruña
Profesora Contratada Doctora. Facultade de Ciencias da Comunicación. Departamento de Humanidades. Universidade da Coruña.
Efrén Cuevas Álvarez, Facultad de Comunicación. Universidad de Navarra.
Profesor Titular. Facultad de Comunicación. Departamento Cultura y Comunicación Audiovisual. Universidad de Navarra.
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Published
2017-05-30
How to Cite
Nozal Cantarero T. y Cuevas Álvarez E. (2017). Éric Rhomer’s Conte d’été: Narratological Interpretation Keys, Spatiotemporal and Thematics. Área Abierta. Revista de comunicación audiovisual y publicitaria, 17(2), 167-181. https://doi.org/10.5209/ARAB.52172
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Articles