The Superhero According to Marvel: Gender and Simulacrum

Keywords: film representation, Hollywood, masculinities, superheroes, Marvel, cinema

Abstract

Over the past 15 years, Marvel’s box office successes have established it as a leader in its industry. The aim of this article is to analyse one of these blockbusters: Thor: Love and Thunder (Taika Waititi, 2020). A narrative analysis is conducted on the four characters who appear in the role of superheroes: Thor, The Mighty Thor, Valkyrie and Korg, both the dialogues and the actions. From the sociology of the heroic, and queer studies, the focuses are on how these characters are (re)presented and differentiated from each other. The inclusion of a heterosexual woman, a lesbian and a gay man in the story suggests an idea of diversity, but each of these characters is carefully delimited, so that they end up being reduced to extras. Finally, the protagonist of the story is the male character of Thor.

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Author Biography

José. Julián Vázquez Robles, Universidad Isabel I de Castilla

Doctor en Ciencias en la especialidad de Investigaciones Educativas por el CINVESTAV (CDMX), con Certificado de Equivalencia a Nivel Académico de Doctor por la Universidad Pública de Navarra (España). Maestro en Historia por el Instituto Cultural Helénico (CDMX) y Especialista Universitario en Masculinidades, Género e Igualdad por la Universidad Miguel Hernández de Elche (Alicante). Investigador invitado en el Instituto de Filosofía del Consejo Superior de Investigaciones Científicas (2014 – 2016, Madrid). Actualmente: docente en la Universidad Isabel I (Burgos) y director de TFM en la Universidad Internacional de Valencia.

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Published
2024-06-28
How to Cite
Vázquez Robles J. J. (2024). The Superhero According to Marvel: Gender and Simulacrum. Área Abierta. Revista de comunicación audiovisual y publicitaria, 24(2), 103-114. https://doi.org/10.5209/arab.95469
Section
Articles