Resignificación e hipertextualidad en el discurso narrativo de Lily, la tigresa
Abstract
Despite Woody Allen being one of the most relevant international filmmakers, hisopera prima, What’s Up, Tiger Lily? has been obviated by scientifical literature. However, What’s Up, Tiger Lily? (1965, Woody Allen, Senkichi Taniguchi, 1966) is a paradigmatical film that reveals how films have transcendence as narrative texts. The film, based on parodic narrative re-significates the Japanese movie Kokusai himitsu keisatsu: Kagi no kagi by modifying its syntax code (editing) and removing its sound code (dialogues and soundtrack). To achieve this purpose, Woody Allen uses several narrative strategies like metalanguage, The Alienation Effect by Bertolt Brecht, and the textual transcendence explored by Gérard Genette.This research concludes arguing that What’s Up, Tiger Lily? proves the capability of the filmic discourse to generate relevant textual interconnections.
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