Song for after a War. A Film: Two Times
Abstract
This article proposes to study Canciones para después de una guerra at the time when it was conceived and elaborated, before the prohibition in 1971 which delayed its premiere until 1977, in very different political and media circumstances, both Spanish and international. Special attention will be paid to the gestation of the film, to its elaboration process and to Basilio Martín Patino's proposal to link show, thought and game, while also consciously positioning himself in front of the television.
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