The other in the mirror: "Amour" by Michael Haneke
Abstract
The last film of Michael Haneke’s, Amour (2012), offers us a lucid and despaired poetics of this last human station that implies the oldness and the corporeal decomposition, but also a beautiful and sad narrative on this paradoxical phenomenon that is the love between two human beings. Through the critical device of a cinematographic device, together with the psychoanalytic critique, in this case through the Freudian binomial Heimlich/Unheimlich, we will try to display a possible interpretation of the hanekian film.
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