Clean Hands Are Not Enough: Lectio Divina for Novices in the Mérode Annunciation
- Patricia Patgett Lea Independent Researcher in Art History
Resumen
El análisis iconográfico de La Anunciación Mérode ha ignorado tradicionalmente cómo la mente medieval forjó cadenas de mensajes de memoria para expandir la meditación. Incluso el enfoque reciente en temas devocionales ha fallado en gran medida en adaptarse al proceso mental de la meditación en sí. La mente que medita prefiere moverse suavemente entre las indicaciones para poder aprovechar al máximo el recuerdo, un proceso mental obstaculizado por el análisis discursivo. El recuerdo recupera los recuerdos almacenados y luego los vincula en una cadena continua de significado. El taller de Campin usó adornos, incluida la ubicación, el color y los materiales, para realzar el conducto de la Anunciada leyendo las Sagradas Escrituras con manos limpias y un corazón puro. Tales mnemotécnicos son abiertos y de múltiples capas dentro del marco de un tema devocional específico. Son pasos metafóricos al alcance de todos los que esperan concebir a Cristo espiritualmente y recibir las bendiciones de la vida eterna.
Biografía del autor/a
Independent Researcher in Art History (USA).
Citas
Alighieri, Dante. The Divine Comedy: A New and Revised Translation. Translated by Steve Ellis. London: Penguin, 2019.
Aquinas, Thomas. Summa Theologica. Translated by Fathers of the English Dominican Province. New York: Benziger Brothers, 1911-1925.
Asperen de Boer, J. R. J. van, Jeltje Dijkstra, R. van Schoute, C. M. A. Dalderup, and J. P. Filedt Kok. "Underdrawing in Paintings of the Rogier van der Weyden and Master of Flémalle Groups." Nederlands Kunsthistorisch Jaarboek 41 (1990).
Bacon, Roger. Roger Bacon’s Letter: Concerning the Marvelous Power of Art and Nature and the Nullity of Magic, translated by Tenney Lombard Davis. Whitefish, MT: Kessinger Publishing, 2010.
Bacon, Roger. The Greek Grammar of Roger Bacon and a Fragment of his Hebrew Grammer, edited with an introduction and notes by Edmond Nolan and Samuel A. Hirsch. Cambridge: Cambridge University Press, 1902.
Baert, Barbara. About Sieves and Sieving: Motif, Symbol, Technique, Paradigm. Berlin/Boston: Walter de Gruyter, 2019.
Baier, Karl. “Meditation and Contemplation in High to Late Medieval Europe.” Sitzungsberichte-Österreichische Akademie der Wissenschaften. Philosophisch-Historische Klasse 794 (2009): 321-345.
Barnet, Peter. “Beasts in Every Land and Clime: An Introduction to Medieval Aquamanile.” In Lions, Dragons, and Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table, edited by Peter Barnet and Pete Dandridge, 2-17. New Haven and London: Yale University Press, 2006.
Barnhouse, Rebecca. The Book of the Knight of the Tower: Manners for Young Medieval Women. New York: Palgrave Macmillan, 2006.
Barreira, Frei Isidoro de. Tractado das Significaçoens das Plantas, Flores, e Fructos que se Referem na Sagrada Escritura. Lisboa: Pedro Craesbeeck de Mello, 1622.
Beach, Alison I. "Living and Working in a Twelfth-Century Women’s Monastic Community." In The Cambridge Companion to Hildegard of Bingen, edited by Jennifer Bain, 37-51. Cambridge, UK: Cambridge University Press, 2021.
Bearman, Frederick. "The Origins and Significance of Two Late Medieval Textile Chemise Bookbindings in the Walters Art Gallery." The Journal of the Walters Art Gallery 54 (1996): 163-187.
Beauregard, David N. "Moral Theology in Sir Gawain and the Green Knight: The Pentangle, the Green Knight, and the Perfection of Virtue." Renascence: Essays on Values in Literature 65, no. 3 (2013): 146-164.
Bernard of Clairvaux. St. Bernard's Sermons on the Canticle of Canticles, translated from the original Latin by a Priest of Mount Melleray, II. Dublin: Browne and Nolan, Ltd., 1921.
Binstock, Benjamin. "Why was Jan van Eyck here? The Subject, Sitters, and Significance of The Arnolfini Marriage Portrait." Venezia Arti 26 (2017): 109-135.
Blazekovic, Zdravko. "Variations on the Theme of the Planets' Children, or Medieval Musical Life According to the Housebook's Astrological Imagery." In Art and Music in the Early Modern Period. Essays in Honor of Franca Trinchieri Camiz, edited by Katherine A. Mclver, 241-86. Birmingham, AL: The University of Alabama, 2003.
Blick, Sarah. "Votives, Images, Interaction and Pilgrimage to the Tomb and Shrine of St. Thomas Becket, Canterbury Cathedral." In Push Me, Pull You: Imaginative, Emotional, Physical, and Spatial Interaction in Late Medieval and Renaissance Art, edited by Sarah Blick and Laura Gelfand, 21-58. Leiden and Boston: Brill, 2011.
Bonaventure. The Works of Bonaventure: Cardinal, Seraphic Doctor, and Saint (I Mystical Opuscula), translated by José de Vinck. Mansfield Center, CT: Martina Publishing, 2016.
Boyde, Patrick. Perception and Passion in Dante's Comedy. Cambridge, UK: Cambridge University Press, 1993.
Boyle, Leonard E. "An Ambry of 1299 at San Clemente, Rome." Mediaeval Studies 26 (1964): 329-350.
Brendel, Maria L. "Deluxe Devotional Prayer Books: A McGill Book of Hours." Fontanus 8 (1995): 109-119.
Brown, Rachel Fulton. “Mary in the Scriptures: The Unexpurgated Tradition.” In Advancing Mariology: The Theotokos Lectures 2008-2017, edited by Jame Schaefer, 7-34. Milwaukee, WI: Marquette University Press, 2017.
Brown, Sarah. "The Medieval Glazier at Work." In Investigations in Medieval Stained Glass: Materials, Methods, and Expressions, edited by Brigitte Kurmann-Schwarz and Elizabeth Pastan, 9-22. Leiden and Boston: Brill, 2019.
Bruin, T.L. de.“ Le Maitre de Flémalle et sa Crypto-Signature.” Gazette des Beaux-Arts 67 (Janvier, 1966): 5-6.
Burger, Glenn D. Conduct Becoming: Good Wives and Husbands in the Later Middle Ages. Philadelphia: University of Pennsylvania Press, 2018.
Burghardt, Walter J. "Cyril of Alexandria on “Wool and Linen”." Traditio 2 (1944): 484-486.
Callmann, Ellen. "Campin's Maiolica Pitcher." The Art Bulletin 64, no. 4 (1982): 629-631.
Campbell, Lorne. "Robert Campin, the Master of Flémalle and the Master of Mérode." The Burlington Magazine 116, no. 860 (November, 1974): 634-646.
Carruthers, Mary. "The Concept of Ductus, or Journeying Through a Work of Art." In Rhetoric Beyond Words: Delight and Persuasion in the Arts of the Middle Ages, edited by Mary Carruthers, 190-213. Cambridge, UK: Cambridge University Press, 2010.
Carruthers, Mary. The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400-1200. Cambridge, UK: Cambridge University Press, 2000.
Castro, Rita, Maria J. Melo and Adelaide Miranda. "The Secrets behind the Colour of the Book of Birds." In Portuguese Studies on Medieval Illuminated Manuscripts, edited by Maria Adelaide Miranda, and Alicia Miguélez Cavero, 31-55. Barcelona-Madrid: Fédération Internationale des Instituts d’Études Médiévales, 2014.
Clark, Robert L. A., "Constructing the Female Subject in Late Medieval Devotion." In Medieval Conduct, edited by Kathleen M. Ashley, and Robert L. A. Clark, 160-182. Minneapolis, MN: University of Minnesota Press, 2001.
Clark, Willene B., and Hugo of Fouilloy. The Medieval Book of Birds: Hugh of Fouilloy's “De Avibus.” Warsaw: Andesite Press, 2017.
Coo, Jozef de. "A Medieval Look at the Merode Annunciation." Zeitschrift für Kunstgeschichte 44, no. 2 (1981): 114-132.
Decker, John R. "’By Stages Towards What We Mean to Say:’ Diegetic Rupture as a Tool of Devotion." Word & Image 36, no. 3 (2020): 284-298.
Decker, John R. "Guides Who Know the Way." In Audience and Reception in the Early Modern Period, edited by John R. Decker and Mitzi Kirkland-Ives, 574-627. New York and London: Routledge, 2022.
Delia, Giuseppe. "Wolf vs. Dragon. What if Medieval Dragons Were Wolf-Headed Snakes from Antiquity?." New Frontiers in Archaeology 383 (2019): 195-213.
Druce, George Claridge. “The Amphisbaena and its Connections in Ecclesiastical Art and Architecture,” Archaeological Journal 63, no. 1 (1910): 285-317.
Drummond, Hilary. "Poet, Geometer, Architect, Scribe: The Medieval Cruciverbalist and the Art of Grid Poetry." Yapp 1, no. 1 (2013): 68-81.
Duchesne-Guillemin, Jacques. “The Wise Men from the East in the Western Tradition.” In Papers in Honour of Professor Mary Boyce, edited by Jacques Duchesne-Guillemin and Pierre Lecoq, 1:149–157. Leiden: E.J. Brill, 1985.
Duffy, Kevin. Christian Solar Symbolism and Jesus the Sun of Justice. London: Bloomsbury Publishing, 2022.
Durand, William. The Rationale Divinorum Officiorum of William Durand of Mende: A New Translation of the Prologue and Book One, edited by Timothy M. Thibodeau. New York: Columbia University Press, 2007.
DuRette, B. Underwood. "The Smoking Candle of the Mérode Altarpiece." Athanor 6 (1987): 9-13.
Eagan, Joseph F. The Import of Color Symbolism in Sir Gawain and the Green Knight. Whitefish, MT: Kessinger Publishing LLC, 2007.
Easterling, Joshua S. Angels and Anchoritic Culture in Late Medieval England. Oxford, UK: Oxford University Press, 2021.
Eclercy, Bastian. “On Mousetraps and Firescreens: The Problem of “Disguised Symbolism” in Early Netherlandish Painting.” In The Master of Flémalle and Rogier Van Der Weyden: An Exhibition Organized by the Städel Museum, Frankfurt Am Main, and the Gemäldegalerie, Staatliche Museen, Berlin, edited by Stephan Kemperdick and Jochen Sander (Ostfildern, DE: Hatje Cantz, 2009), 133-148.
Ellertson, Barbara Williams, and Janet Seiz. "The Painted Page: Books as Symbols in Renaissance Art.” The Independent Scholar 1 (December 2015): 20-33.
Ellison, Katherine, and Susan M. Kim. “Introduction: Ciphers and the Material History of Literacy,” In A Material History of Medieval and Early Modern Ciphers, edited by Katherine Ellison and Susan Kim, 1-29. New York, London: Routledge, 2017.
Endrei, Walter. “Les Etoffes Dites de Perouse, leurs Antecedents et leurs Descendance.” CIETA Bulletin 65, 1987: 61-68.
Ettlinger, Helen S. "The Virgin Snail." Journal of the Warburg and Courtauld Institutes 41, no. 1 (1978): 316.
Fabbrizzi, Luigi. "Communicating About Matter with Symbols: Evolving from Alchemy to Chemistry." Journal of Chemical Education 85, no. 11 (2008): 1501-1511.
Falkenburg, Reindert L. The Fruit of Devotion: Mysticism and the Imagery of Love in Flemish Paintings of the Virgin and Child, 1450-1550, translated by Sammy Herman. Amsterdam/Philadelphia: John Benjamins Publishing Company, 1994.
Falkenburg, Reindert. "The Household of the Soul: Conformity in the Merode Triptych." In Early Netherlandish Painting at the Crossroads: a Critical Look at Current Methodologies, edited by Maryan Wynn Ainsworth, 2-18. New York: Metropolitan Museum of Art, 2001.
Falque, Ingrid. Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting. Leiden and New York: Brill, 2019.
Foucault, Michel, and Jay Miskowiec. "Of Other Spaces." Diacritics 16, no. 1 (1986): 22-27.
Francesco da Barberino. “Of the Government and Conduct of Women.” In Queene Elizabethes Achademy, A Book of Precedence with Essays on Italian and German Books of Courtesy, translated by William Michael Rossetti and edited by Frederick James Furnivall, Part II, 1-76 (Early English Text Society, extra series 8). London: N. Trübner & Co., 1869.
French, Katherine L. Household Goods and Good Households in Late Medieval London: Consumption and Domesticity After the Plague. Philadelphia, PA: University of Pennsylvania Press, 2021.
Friedman, John B. "Dogs in the Identity Formation and Moral Teaching Offered in Some Fifteenth-Century Flemish Manuscript Miniatures." In Our Dogs, Our Selves: Dogs in Medieval and Early Modern Art, Literature, and Society, edited by Laura D. Gelfand, 325-362. Leiden/Boston: Brill, 2016.
Ganz, David. "Individual and Universal Salvation in the In honorem sanctae crucis." Florilegium 30 (2013): 167-189.
Garrett, Rosamund and Matthew Reeves. Late Medieval and Renaissance Textiles. London: Sam Fogg, 2018.
Gayk, Shannon. "’By Provocative Means:’ Power, Protection, and Reproduction in Prince Henry’s Prayer Roll." Exemplaria 29, no. 4 (2017): 296-313.
Gerson, Jean. "The Mountain of Contemplation." In Jean Gerson: Early Works, translated and introduced by Brian Patrick McGuire, 75-127. New York/Mahwah, NJ: Paulist Press, 1998.
Gilchrist, Roberta. Contemplation and Action: The Other Monasticism. New York: St. Martin’s Press, 1995.
Gladyševa, Alisa. "Voynich Manuscript-Analysis Of The Codification Algorithm With The Encryption Methods Known In The Medieval Time And Results Of The Marginalies That Were Not Encrypted." Revista Científica Arbitrada De La Fundación Menteclara 5, no. 128 (2020): 1-25.
Godard, Jean Guyer. "Medieval Domestic Furniture of the Fourteenth and Fifteenth Centuries in England, France, and the Low Countries as Portrayed in Selected Manuscript Illuminations." Masters Thesis. Oregon State University, 1975.
Gottlieb, Carla. "Respiciens per Fenestras: The Symbolism of the Mérode Altarpiece." Oud Holland 85, no. 2 (1970): 65-84.
Grant, Robert M., and David Tracy. A Short History of Biblical Interpretation. Minneapolis, MN: Fortress Press, 2005.
Green, Richard Hamilton. "Gawain's Shield and the Quest for Perfection." ELH 29, no. 2 (1962): 121-139.
Gregory the Great. The Homilies of St. Gregory the Great on the Book of the Prophet Ezekiel, edited and translated by Theodosia Gray. Etna, CA: Center for Traditionalist Orthodox Studies, 1990.
Gründler, Hana, and Itay Sapir. “The Announcement: Annunciations and Beyond. An Introduction.” In The Announcement: Annunciations and Beyond, edited by Hana Gründler, Alessandro Nova and Itay Sapir, XI-XXVIII. Berlin/Boston: De Gruyter, 2020.
Guigo II. The Ladder of Monks and Twelve Meditations, Translated and introduced by Edmund Colledge OSA and James Walsh, SJ. Kalamazoo, MI: Cistercian Publications, 1981.
Hahn, Cynthia. "‘Joseph Will Perfect, Mary Enlighten and Jesus Save Thee’: The Holy Family as Marriage Model in the Mérode Triptych." The Art Bulletin 68, no. 1 (1986): 54-66.
Harman, Dilshat. "Striped Jews: The Offering of the Jews in the Boijmans Van Beuningen Museum." Ars Judaica 15 (2019): 29-46.
Hazem, Amir, Béatrice Daille, Marie-Laurence Bonhomme, Martin Maarand, Mélodie Boillet, Christopher Kermorvant, and Dominique Stutzmann. "Books of Hours: the First Liturgical Corpus for Text Segmentation." In Proceedings of the 12th Language Resources and Evaluation Conference, 776-784. Paris: European Language Resources Association (ELRA), 2020.
Heck, Christian, and Rémy Cordonnier. The Grand Medieval Bestiary: Animals in Illuminated Manuscripts. New York and London: Abbeville Press, 2012.
Heck, Christian. “Raban Maur, Bernard de Clairvaux, Bonaventure: Expression de l’Espace et Topographie Spirituelle dans les Images Médiévales.” In The Mind’s Eye: Art and Theological Argument in the Middle Ages, edited by Jeffrey F. Hamburger and Anne-Marie Bouché, 112-132. Princeton, NJ: Princeton University Press, 2006.
Heckscher, William S. "Erwin Panofsky: A Curriculum Vitae." Record of the Art Museum, Princeton University 28, no. 1 (1969): 5-21.
Hegedus, Tim. "The Magi and the Star in the Gospel of Matthew and Early Christian Tradition." Laval Théologique et Philosophique 59, no. 1 (2003): 81-95.
Henisch, Bridget Ann. Fast and Feast: Food in Medieval Society. University Park, PA: The Pennsylvania State University Press, 1976.
Hérold, Michel. "Windows in Domestic Settings in France in the Late Middle Ages: Enclosure and Decoration in the Social Living Space." In Investigations in Medieval Stained Glass, edited by Elizabeth Carson Pastan and Brigitte Kurmann-Schwarz, 132-142. Leiden and Boston: Brill, 2019.
Herren, Michael W. The Cosmography of Aethicus Ister: Edition, Translation, and Commentary. Turnhout: Brepols, 2011.
Herzman, Ronald B., and Gary W. Towsley. "Squaring the Circle: Paradiso 33 and the Poetics of Geometry." Traditio 49 (1994): 95-125.
Hildegard of Bingen. Book of Divine Works: With Letters and Songs, edited and introduced by Matthew Fox. Santa Fe, NM: Bear & Company, 1987.
Hindmarsh, Bruce. "“Come Down, O Love Divine” Christian Spiritual Formation through a Medieval Hymn." Journal of Spiritual Formation and Soul Care 3, no. 1 (2010): 79-87.
Holly, Michael Ann. “Witnessing an Annunciation.” In Past Looking, Historical Imagination and the Rhetoric of the Image, 149-169. Ithaca and London: Cornell University Press, 1996.
Honegger, Thomas. Introducing the Medieval Dragon. Cardiff: University of Wales Press, 2019.
Hopkins, Jasper. Nicholas of Cusa on Learned Ignorance: A Translation and An Appraisal of De Docta Ignorantia. Minneapolis, MN: Banning, 1981.
Hopper, Vincent Foster. Medieval Number Symbolism: Its Sources, Meaning, and Influence on Thought and Expression. Minneola, NY: Dover Publication, Inc., 2000.
Hugh of St. Victor. “The Moral Ark.” In Hugh of Saint-Victor: Selected Spiritual Writings, introduced by Aelred Squire and translated by C.S.M.V. Eugene, OR: WIPF and Stock Publishers, 2009.
Hugo of St. Victor. “Sermo XVIII: In Annunciatione Dominica.” In Sermones Centum, Ad Appendix Hugonis Opera Mystica III, edited by Jacques-Paul Migne, Patrologia Latina (PL) 177:933-934. Paris: Garnier Fratres, 1879.
Isidore of Seville, The Etymologies of Isidore of Seville, translated by Stephan A. Barney, W.J. Lewis, J.A. Beach and Oliver Berghof. Cambridge, UK: University of Cambridge Press, 2010.
Izbicki, Thomas M. "Linteamenta altaria: The Care of Altar Linens in the Medieval Church.” In Medieval Clothing and Textiles 12, edited by Robin Netherton and Gale R. Owen-Crocker, 41-60. Woodbridge, UK: The Boydell Press, 2016.
Jacobus de Voragine, The Golden Legend: Readings on the Saints, translated by William G. Ryan. Princeton: Princeton University Press, 2012.
Jenson, Susan Hathorn. “Books of Hours as Icons: Devotional Imagery and Penance in Early Fifteenth-Century Flemish Lay Prayerbooks.” PhD diss., University of Maryland, 1995.
Jolly, Penny Howell. "Learned Reading, Vernacular Seeing: Jacques Daret's Presentation in the Temple." Art Bulletin 82, no. 3 (September, 2000): 428-452.
Jones, Eddie A. "Ceremonies of Enclosure: Rite, Rhetoric and Reality." In Rhetoric of the Anchorhold: Space, Place and Body within the Discourses of Enclosure, edited by Liz Herbert McAvoy, 34-49. Cardiff: University of Wales Press, 2008.
Jones, Susan Frances. "'Jan van Eyck’s Greek, Hebrew and Trilingual Inscriptions'." In Jan Eyck Studies, Papers Presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 September 2012, edited by Christina Currie, Bart Fransen, Valentine Henderiks, Cyriel Stroo, and Dominique Vanwijnsberghe, 291-308. Leuven: Peteers Publishers, 2017.
Kemperdick, Stephan, and Jochen Sander, eds. The Master of Flémalle and Rogier Van Der Weyden: An Exhibition Organized by the Städel Museum, Frankfurt Am Main, and the Gemäldegalerie, Staatliche Museen, Berlin. Ostfildern, DE: Hatje Cantz, 2009.
Kessler, Herbert L. "“Consider the Glass, It Can Teach You”: the Medium’s Lesson." In Investigations in Medieval Stained Glass, edited by Elizabeth Carson Pastan and Brigitte Kurmann-Schwarz, 143-156. Leiden and Boston: Brill, 2019.
Kessler, Herbert L. “Fenestra Obliqua: Art and Peter of Limoges’s Modes of Seeing.” In Optics, Ethics, and Art in the Thirteenth and Fourteenth Centuries: Looking Into Peter of Limoges's Moral Treatise on the Eye, edited by Herbert L. Kessler, Richard Newhauser and Arthur J. Russell, 139-158. Toronto: Pontifical Institute of Mediaeval Studies, 2018.
Kessler, Herbert L. Spiritual Seeing: Picturing God's Invisibility in Medieval Art. Philadelphia: University of Pennsylvania Press, 2000.
Kinsella, Karl. “Richard of Saint Victor’s Solutions to Problems of Architectural Representation in the Twelfth Century.” Architectural History 49 (2016), 3-24.
Knapp, Courtney. "Chair-Tables: A History and Evolution of Form and Function That Created a Lasting Legacy." Masters Thesis, George Mason University, 2016.
Krueger, Roberta L. “Introduction: Teach Your Children Well, Medieval Conduct Guides For Youths.” In Medieval Conduct Literature: An Anthology of Vernacular Guides to Behaviour for Youths, with English Translations, edited by Mark D. Johnston, ix-xxxiii. Toronto: University of Toronto Press, 2009.
Kwakkel, Erik. Books Before Print. Leeds, UK: Arc Humanities Press, 2018.
Landau, Brent. Revelation of the Magi: The Lost Tale of the Wise Men's Journey to Bethlehem. New York: HarperOne, 2010.
Lane, Barbara G. The Altar and the Altarpiece: Sacramental Themes in Early Netherlandish Painting. New York: Harper & Row, 1984.
Langens-Gerrits, Merel M., and Geert-Jan M. De Klerk. "Micropropagation of Flower Bulbs: Lily and Narcissus.” In Methods in Molecular Biology: Plant Cell Culture Protocols, edited by R.D. Hall, 141-147. Totowa, NJ: Humana Press Inc., 1999.
Lapide, Cornelius á. The Great Biblical Commentary. Translated by Thomas W. Mossman, B.A. London: John Hodges, 1890.
Laudi Spirituali Del Bianco Da Siena: Povero Gesuato Del Secolo XIV, edited by Telesforo Bini. Lucca, Italy: Dalla Tipografia di G. Giusti, 1851.
Lazikani, A. S. Emotion in Christian and Islamic Contemplative Texts, 1100–1250. Cham, Switzerland: Palgrave Macmillan, 2021.
Leclercq, Jean.“ Mary's Reading of Christ.” Monastic Studies 15 (1984): 105-116.
Lowe, Nicola A. "Women's Devotional Bequests of Textiles in the Late Medieval English Parish Church, c. 1350–1550." Gender & History 22, no. 2 (2010): 407-429.
Madigan, Brian. "Van Eyck's Illuminated Carafe." Journal of the Warburg and Courtauld Institutes 49 (1986): 227-230.
McAvoy, Liz Herbert. Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe. Cambridge: D. S. Brewer, 2004.
McNamee, Maurice Basil. Vested Angels: Eucharistic Allusions in Early Netherlandish Paintings. Leuven: Peeters Publishers, 1998.
Meiss, Millard. "Light as Form and Symbol in Some Fifteenth-Century Paintings." The Art Bulletin 27, no. 3 (1945): 175-181.
Mende, Ursula. “ Late Gothic Aquamanilia from Nuremberg.” In Lions, Dragons, and Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table, edited by Peter Barnet and Pete Dandridge, 19-33. New Haven and London: Yale University Press, 2006.
Miles, Laura Saetveit. "The Origins and Development of the Virgin Mary’s Book at the Annunciation." Speculum 89, no. 3 (2014): 632-669.
Miles, Laura Saetveit. The Virgin Mary's Book at the Annunciation: Reading, Interpretation, and Devotion in Medieval England. Cambridge: D. S. Brewer, 2020.
Minott, Charles Ilsley. "The Theme of the Merode Altarpiece." The Art Bulletin 51, no. 3 (1969): 267-271.
Mitchell, David M. "By Your Leave My Masters: British Taste in Table Linen in the Fifteenth and Sixteenth Centuries." Textile History 20, no. 1 (1989): 49-77.
Mitchell, David Malcolm. “Fine Table Linen in England, 1450-1750: The Supply, Ownership and Use of a Luxury Commodity.” PhD. Diss., University College of London, 1999.
Morgan, Joseph Howard. "Glossing the Virgin: The Incarnational Hermeneutics of Mary in the English Middle Ages." PhD diss., Indiana University, 2021.
Mundy, E. James. "Franciscus Alter Christus: The Intercessory Function of a Late Quattrocento Panel." Record of the Art Museum, Princeton University 36, no. 2 (1977): 4-15.
North, Susan. Sweet and Clean?: Bodies and Clothes in Early Modern England. Oxford and New York: Oxford University Press, 2020.
Olchawa, Joanna. "Aquamanilien und ihr Gebrauch in Islamischen, Christlichen und Jüdischen Handwaschungsriten." In Handgebrauch: Geschichten von der Hand aus dem Mittelalter und der Frühen Neuzeit, edited by Robert Jütte and Romedio Schmitz-Esser, 39-57. Leiden and Boston: Verlag Wilhelm Fink, 2019.
Origo, Iris. The Merchant of Prato: Francesco di Marco Datini, 1335-1410. New York: New York Review of Books, 2020.
Osborne, Roy. Renaissance Colour Symbolism. Morrisville, NC: Lulu Press, Inc., 2019.
Panayotova, Stella, and Paola Ricciardi. "Painting the Trinity Hrabanus: Materials, Techniques and Methods of Production." Transactions of the Cambridge Bibliographical Society 16, no. 2 (2017): 227-261.
Panofsky, Erwin. Early Netherlandish Painting: It’s Origins and Character. Cambridge: Harvard University Press, 1953.
Pastan, Elizabeth Carson. "Representing Architecture in the Altarpiece: Fictions, Strategies, and Mysteries." In Quid est sacramentum?: Visual Representation of Sacred Mysteries in Early Modern Europe, 1400–1700, edited by Ralph Dekoninck, Agnès Guiderdoni, and Walter Melion, 227-260. Leiden and Boston: Brill, 2019.
Pastoureau, Michel. The Devil's Cloth: A History of Stripes and Striped Fabric. Translated by Jody Gladding. New York: Washington Square Press, 2003.
Pearson, Andrea. Envisioning Gender in Burgundian Devotional Art, 1350–1530: Experience, Authority, Resistance. London and New York: Routledge, 2017.
Phillips, Kim M. "The Invisible Man: Body and Ritual in a Fifteenth-Century Noble Household." Journal of Medieval History 31, no. 2 (2005): 143-162.
Picinelli, Filippo. Mundus Symbolicus: In Emblematum Universitate Formatus, Explicatus, et Tam Sacris, Quam Profanis Eruditionibus ac Sententiis Illustratus. Translated by Augustin Erath, Vol. II. Cologne: Von Cöllen & Huisch, 1729.
Pignarre-Altermatt, Thor-Oona. "What Approach to Flemish Annunciations?." Arts 2022, 11(1), 33; https://doi.org/10.3390/arts11010033.
Pollard, Richard Matthew. "Denuo on Lucan, the Orpheus and “Aethicus Ister”: Nihil Sub Sole Novum." The Journal of Medieval Latin 20 (2010): 58-69.
Raffa, Guy P. Divine Dialectic: Dante’s Incarnational Poetry. Toronto: University of Toronto Press, 2000.
Reinburg, Virginia. “An Archive of Prayer: The Book of Hours in Manuscript and Print.” In Manuscripta Illuminata: Approaches to Understanding Medieval and Renaissance Manuscripts, edited by Colum Hourihane, 221-240. University Park, PA: Pennsylvania State University Press, 2014.
Reynaud, Nicole. "Barthélemy d'Eyck avant 1450." Revue de l'Art 84, no. 1 (1989): 22-43.
Ridderbos, Bernhard. “Choices and Intentions in the Mérode Altarpiece.” Journal of the Historians of Netherlandish Art 14:1 (Winter 2022): 2-43.
Robb, David M. "The Iconography of the Annunciation in the Fourteenth and Fifteenth Centuries." The Art Bulletin 18, no. 4 (1936): 480-526.
Robertson, Duncan. Lectio Divina: The Medieval Experience of Reading. Collegeville, MN: Liturgical Press, 2011.
Roeber, Anthony G., and Paul B. Harvey. "“God Willing”: Really? A Note on the Ambiguities of an Interfaith Expression." Neophilologus 95, no. 3 (2011): 373-378.
Rousseau, Theodore. "The Merode Altarpiece." The Metropolitan Museum of Art Bulletin 16, no. 4 (1957): 117-129.
Russell, Malcolm. "The Woodworker and the Redemption: The Right Shutter of the" Merode Triptych"." Simiolus: Netherlands Quarterly for the History of Art 39, no. 4 (2017): 335-350.
Salter, David. Holy and Noble Beasts: Encounters with Animals in Medieval Literature. Cambridge, UK: D. S. Brewer, 2001.
Salvador González, José María. "Flos Campi Lilium Convallium: Third Interpretation of the Lily in the Iconography of The Annunciation in Italian Trecento Art from Patristic and Theological Sources.” Eikón Imago 5 (2014 / 1): 75-96.
Salvador González, José María. "Flos de Radice Iesse: A Hermeneutic Approach to the Theme of the Lily in the Spanish Gothic Painting of The Annunciation from Patristic and Theological Sources," Eikón Imago 4 (2013 / 2): 183-222.
Salvador González, José María. "In Virga Aaron Maria Ostendebatur: A New Interpretation of the Stem of Lilies in the Spanish Gothic Annunciation from Patristic and Theological Sources." De Medio Aevo 5, no. 2 (2016): 117-144.
Salvador González, José María. "Sanctitate Vernans Virga Aaronis: Interpretation of the Stem of Lilies in the Medieval Iconography of the Annunciation According to Theological Sources." Art Studies and Architectural Journal 10, no. 9 (2015): 2-32.
Salvador González, José María. "Sicut Lilium inter Spinas: Floral Metaphors in Late Medieval Marian Iconography from Patristic and Theological Sources." Eikón Imago 6 (2014 / 2): 1-32.
Salvador González, José María. "The Symbol of Door as Mary in Images of the Annunciation of the 14th-15th Centuries." Fenestella. Dentro l’arte medievale/Inside Medieval Art 2 (2021): 93-110.
Salvador González, José Maria. "The Symbol of Light’s Ray in Images of the Annunciation of the 14th and 15th Centuries According to Greek Patrology." História Revista 25, no. 3 (2020): 334-355.
Salvador González, José María. “Haec porta Domini. Exegeses of some Greek Church Fathers on Ezekiel’s porta clausa (5th-10th centuries)." Cauriensia XV (2020): 615-633.
Sandron, Dany. "Le Jeu de l’Amour et des Échecs: Une Scène Courtoise dans Le Vitrail Lyonnais au XV Siècle." La Revue du Louvre et des Musées de France 1 (1998): 35-45.
Sauer, Michelle M. "Architecture of Desire: Mediating the Female Gaze in the Medieval English Anchorhold." Gender & History 25, no. 3 (2013): 545-564.
Schapiro, Meyer. "A Note on the Merode Altarpiece." The Art Bulletin 41, no. 4 (1959): 327-328.
Schapiro, Meyer. "Muscipula Diaboli, the Symbolism of the Mérode Altarpiece." The Art Bulletin 27, no. 3 (1945): 182-187.
Schindler, Robert. "The Cloisters Annunciation by the Master of Charles of France." Metropolitan Museum Journal 47, no. 1 (2012): 85-100.
Schumacher, Meinolf. "Lavabo in innocentia manus meas: Zwischen Schuldanerkennung und Schuldabwehr: Händewaschen im Christlichen Kult." In Handgebrauch: Geschichten von der Hand aus dem Mittelalter und der Frühen Neuzeit, edited by Robert Jütte and Romedio Schmitz-Esser, 59-77. Leiden and Boston: Verlag Wilhelm Fink, 2019.
Sclafert, Clément. “L’Allégorie de la Bûche Enflammée dans Hugues de Saint-Victor et Saint Jean de la Croix.” Revue d'Ascétique et de Mystique 33 (1957): 242-246.
Scott-Macnab, David. "Augustine’s Trope of the Crucifixion As a Trap for the Devil and Its Survival in the English Middle Ages." Viator 46, no. 3 (2015): 1-20.
Sear, Joanne. “To the Chapel of St. Andrew...A Broken Basin of Silver Out of Which a Chalice Is To Be Made: The Importance of Material in Late Medieval Religious Bequests.” In Proceedings of the Suffolk Institute of Archeology 44 (1), 2017: 39-52.
Shamos, Geoffrey. "Astrology as a Social Framework: The ‘Children of Planets’, 1400–1600." Journal for the Study of Religion, Nature and Culture 7, no. 4 (2013): 434-460.
Skemer, Don C. "Amulet Rolls and Female Devotion in the Late Middle Ages." Scriptorium 55, no. 2 (2001): 197-227.
Skemer, Don C. Binding Words: Textual Amulets in the Middle Ages. University Park, PA: The Pennsylvania State University Press, 2006.
Skovgaard, Ane Preisler. "The Fabric of Devotion: A New Approach to Studying Textiles from Late Medieval Nunneries." Konsthistorisk Tidskrift/Journal of Art History 90, no. 1 (2021): 44-64.
Smeyers, Maurits, and Bert Cardon. "Campin and Illumination." In Robert Campin: New Directions in Scholarship, edited by Susan Foister and Susie Nash, 159-169. Turnhout: Brepols, 1996.
Smith, James L. "Caring for the Body and Soul with Water: Guerric of Igny’s Fourth Sermon on the Epiphany, Godfrey of Saint-Victor’s Fons Philosophiae, and Peter of Celle’s Letters." In Bodily and Spiritual Hygiene in Medieval and Early Modern Literature: Explorations of Textual Presentations of Filth and Water, edited by Albrecht Classen and Marilyn Sandidge, 148-170. Berlin/Boston: De Gruyter, 2017.
Smith, Jonathan Z. “The Garments of Shame." History of Religions 5, no. 2 (1966): 217-238.
Steinberg, Leo. "" How Shall This Be?" Reflections on Filippo Lippi's" Annunciation" in London, Part I." Artibus et Historiae (1987): 25-44.
Sterman, Baruch. "The Meaning of Tekhelet." B’Or Ha’torah 11, 1999: 185-195.
Sterponi, Laura. “Reading and Meditation in the Middle Ages: Lectio Divina and Books of Hours." Text & Talk 28, no. 5 (September, 2008): 667-689.
Suhr, William. "The Restoration of the Merode Altarpiece." The Metropolitan Museum of Art Bulletin, New Series 16, no. 4 (December, 1957): 140-144.
Tasioulas, Jacqueline. "'Heaven and Earth in Little Space': The Foetal Existence of Christ in Medieval Literature and Thought." Medium Aevum 76, no. 1 (2007): 24-48.
Thornton, Peter. The Italian Renaissance Interior 1400-1600. New York: Harry N. Abrams, Inc., 1991.
Thürlemann, Felix. Robert Campin: A Monographic Study with Critical Catalogue. Munich and New York: Prestel, 2002.
Veldman, Ilja M. “Seasons, Planets and Temperaments in the Work of Martin van Heemskerck: Cosmo-Astrological Allegory in Sixteenth-Century Netherlandish Prints,” Simiolus 11: 149-76.
Vines, Vera F. "A Reassessment of Jacques Daret in the Context of Robert Campin's Workshop in Tournai." In Robert Campin: New Directions in Scholarship, edited by Susan Foister and Susie Nash, 197-206. Turnhout: Brepols, 1996.
Ward, Matthew. "True Blue: The Connection between Colour and Loyalty in the Later Middle Ages." Journal of Medieval History 46, no. 2 (2020): 133-155.
Wertz Jr., William F. "The Method of Learned Ignorance." Fidelio 4, no. 1 (Spring, 1995): 38-52.
Whelan, Fiona. The Making of Manners and Morals in Twelfth-Century England: The Book of the Civilised Man. London and New York: Routledge, 2017.
Williamson, Jack H. “The Grid: History, Use, and Meaning.” Design Issues 3.2 (1986): 15-30.
Williamson, Jack Hamilton. “The Meaning of the Merode Altarpiece.” Masters Thesis, Michigan State University, 1982.
Wisch, Barbara. "Vested Interest: Redressing Jews on Michelangelo's Sistine Ceiling." Artibus et Historiae (2003): 143-172.
Wise, Elliott D. "Robert Campin and Jan van Ruusbroec: Spiritual Conflagrations and Ekphrastic Mysticism." In Ekphrastic Image-Making in Early Modern Europe, 1500-1700, edited by Arthur J. DiFuria and Walter S. Melion, 335-369. Leiden and Boston: Brill, 2021.
Wytzes, Jelle. "Der Letzte Kampf des Heidentums in Rom. Leiden, Netherlands: E. J. Brill, 1977.
Descarga artículo
Crossmark
