Vol. 46 No. 1 (2023): Imágenes para la ciencia: la divulgación científica a través del audiovisual. Historia, perspectiva y futuro | Documentación de las Ciencias de la Información

Cubierta de Documentación de las Ciencias de la Información Vol. 46 Núm. 1 (2023)

Vol. 46 No. 1 (2023): Imágenes para la ciencia: la divulgación científica a través del audiovisual. Historia, perspectiva y futuro

Published: 2023-01-25

Imagen de cubierta: JJ Ying, vía Unsplash

Monography

Foreword

José Antonio Jiménez de las Heras, Ricardo Jimeno Aranda, Mar Marcos Molano , Almudena Muñoz Gallego

1-3
- PDF (Español (España))
Origins of the surrealist nature documentary in Jean Painlevé’s scientific films

Isleny Cruz Carvajal, Ignacio Martínez Armas

5-11
- PDF (Español (España))
Biopics of scientists: A film-based approach to the history of science

José Manuel Estrada Lorenzo

13-23
- PDF (Español (España))
The television what reflection of culture in the last years of the Francoism: analysis of literatura and its authors in the documentary series Biografía (TVE, 1967-1973)

Diego Núñez Encinar

25-32
- PDF (Español (España))
Didactics, technology and commerciality. Interrelated approaches to science animation

Cristina Manzano Espinosa

33-41
- PDF (Español (España))
Evolution of the documentary genre for scientific dissemination. Case study of the webdoc, Párkinson, let the road tremble

Antonio Gómez-Aguilar

43-50
- PDF (Español (España))
Nonfiction transmedia narratives and science communication. Some considerations originated from the production

Sergio Fabián Romero

51-56
- PDF (Español (España))
Science communication in video games: a case study of the game as a resource for scientific dissemination

Sergio Gutiérrez Manjón

57-65
- PDF (Español (España))
Universities and social networks: From scientific dissemination to self-promotion

Maider Eizmendi-Iraola, Simón Peña-Fernández

67-74
- PDF (Español (España))
Review of uses and strategies for scientific communication on YouTube of content generated by scientific institutions

Sergio Testón Martínez, Jordi Alberich Pascual

75-82
- PDF (Español (España))
Media and Hypermodernity: The Emission Society and the Crisis of Alterity

Patricio Dugnani

83-90
- PDF (Português (Portugal))
The use of photogram techniques as a means of documentation of historical objects and its application as artwork

Juan García Crego, Judith Martínez Estrada

91-98
- PDF (Español (España))
Video art as a tool in the service of feminist criticism (1960-2000). Origins and evolution.

Isabel Sanz Morán

99-107
- PDF (Español (España))

Miscellany

Documents from the archive as memory of women’s political participation in the Brazilian Military Dictatorship 1964 - 1985

Maria Ivonete Gomes do Nascimento, Eliane Braga Oliveira, Senhora

109-116
- PDF (Español (España))
The police cinema of the Spanish post-war period (1939-1949): a reflection of the early Franco regime

José Luis López Sangüesa

117-123
- PDF (Español (España))

Monography

Miscellany

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