The early influence of Chinese porcelain in the artistic decoration of medieval ceramics in Spain

Abstract

During the Caliphate of Córdoba, the introduction of tin-glazed ceramics witnessed a technological influence from Chinese porcelain, leading to the diversification of local ceramic production. In the subsequent Almoravid dynasty period, complex developments introduced challenging techniques such as gilded ceramics, until the Nasrid Kingdom of Granada saw the pinnacle of blue and white ceramics, showcasing a fusion of Islamic, Chinese, and local Spanish styles. The influence of Yuan dynasty blue and white porcelain became increasingly evident in the later period, with the widespread use of cobalt oxide in Mudéjar ceramics and the incorporation of more Chinese elements in their decoration. In the 15th century, the renowned lusterware of Manises and Paterna also clearly exhibited decorative inspiration derived from the intricate vine patterns of Ming porcelain. The evolution in the art of ceramics not only reflected changes in aesthetic appreciation but also hinted at a deeper cultural exchange between China and Spain in the early stages of their encounter.