Intermediated Aesthetics in the Ghost Laboratory Performance: Sound from Dance. Installation at the Rialto building in Valencia

Keywords: Sound performance, dance, installation, intermediate, Valencia

Abstract

The article analyses a performative practice that took place in the Rialto building in Valencia, Spain on November 26, 2022. Room 7 hosted visual artists, musicians, and dancers to produce an event that was analyzed from an intermedial perspective. The performance took place under improvised conditions, with sounds produced by a piano, a guitar, a bass, a flute, and synthesized and sampled sounds. Videos were processed in real-time and projected onto the floor and a vertical screen from above. This generated reflections on the spatial scheme of the performative action. The study of dance movement involves paying attention to the occupation of space by the interdependent dancing bodies, sound, and projected images. The center of the room clearly articulates the occupation of space. The performance's argumentation connects it with the city, highlighting the difference between the center and the periphery. The goal is to investigate the meaning of these connections between the venue and the urban environment. The conclusion highlights the necessity of redefining the performance space and the significance of analysis for its characterization.

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Author Biographies

Carlos Barberá-Pastor, Universidad de Alicante

I am a professor of Architectural Composition at the University of Alicante since 2011. I served as the curator for the Exhibition of the 40th anniversary of the University of Alicante titled "Arquitectura i Paisatge. Mirades al territorio" (2020/2021). I have also contributed to various publications, including:

Writing for the VLC magazine, V.10 N.1 (Valencia, Spain, 2023).

Contributions to the Arte, Individuo y Sociedad magazine, 34 (2) Madrid, Spain (2022).

Writing for the Sobre- magazine, n.07, Granada, Spain (2021).

Contributions to the CyTET magazine, v LIII, n. 308, Madrid, Spain (2021).

Writing for the Zarch magazine, n. 13, Zaragoza, Spain (2019).

Contributions to the Ppa magazine, n. 19, Sevilla, Spain (2018).

Writing for the RITA -Revista Indexada de Textos Académicos-, 07, Madrid, Spain (2017).

Contributions to the TC magazine, Valencia (2012).

Writing for the Summa + magazine, Buenos Aires, Argentina (2011).

Contributions to the ear magazine of the School of Architecture in Reus, Tarragona (2010).

Writing three articles for the Massilia magazine, Barcelona, Spain (between 2003 and 2008).

I have also participated in conferences with presentations on various topics including Hejduk, Le Corbusier, Sert, Miró, Hans Scharoun, and cinema presentations on Yasujiro Ozu and Isaki Lacuesta. Additionally, I am a member of the editorial board for universities of the RITA magazine and serve as the director of the [i2] Innovación e Investigación en Arquitectura y Territorio magazine.

Raúl León-Mendoza, Universitat Politécnica de València

I am a teacher, researcher, and artist in the fields of visual arts and performing arts. I hold a Bachelor's degree in Fine Arts from UMH and a Master's degree in Visual Arts and Multimedia from UPV. I have taught at the Universitat Oberta de Catalunya, Miguel Hernández University, and currently, I am a faculty member in the Sculpture Department at the Universitat Politècnica de València.

Roser Domingo-Muñoz, Universitat Politècnica de València

Roser Domingo is a multimedia artist and researcher based in Valencia. She is currently pursuing her doctoral thesis within the research group "Laboratorio de Luz" at the Universitat Politècnica de València and is actively involved in the Argos project, focused on audiovisual performances developed from sound and scenic space. Her research primarily revolves around the field of sound.

Roser graduated in Creative Design and Technologies from UPV and also holds a Master's degree in Visual Arts and Multimedia from UPV. Additionally, she possesses a Professional Title in Music with a specialization in Flute from the Conservatori Professional de Música de Llíria, a Superior Title in Music with a specialization in Sonology from the Conservatori Superior de Música de València, and a Master's degree in Secondary Education in Music from the Universitat de València.

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Published
2024-02-16
How to Cite
Barberá-Pastor C., León-Mendoza R. y Domingo-Muñoz R. (2024). Intermediated Aesthetics in the Ghost Laboratory Performance: Sound from Dance. Installation at the Rialto building in Valencia. Arte, Individuo y Sociedad, 36(2), 405-414. https://doi.org/10.5209/aris.91691
Section
Articles