Living after the catastrophe. Art as intersection between living image and consciousness. An approach to the 'Chernobyl' series from the ontology of the image

Abstract

This article approaches the catastrophe from the Chernobyl series, by conducting a research exercise-oriented between analysis and transgression to investigate our contemporaneity, from establishing an interpretive attitude that considers the content as the basis of the action challenge and the overflow of modern technique, a matter that will be dealt with from the thinking operations of Heidegger and Deleuze, which constitutes an interweave that critically achieves the positions of these philosophers regarding the mentioned filmic work. The choice of Chernobyl is justified by being a sample of the intermediate interaction in the series that has converted some series, by having the contents that go beyond mere entertainment and that are erected in audiovisual productions that touch the deepest dimensions and complexity of our existence. Reason for quality is a fundamental environment to think the intersection between the living image and consciousness.