Mutations in performing arts space in the digital age
Abstract
Contemporary performings arts encourage intermediality, hybridization and dialogue between multiple media and languages. With the expansion of digital technology, live arts experience new possibilities that often directly affect even theatre ontology. This article aims to delve specifically into the notion of space and observe which are the aspects that have been transformed regarding the traditional notion of space, a space based mainly until now on the co-presence of the participants subjects (public and performers). Through the analysis of various works, contributions of the digital medium in relation to the spatial issue are shown and how these new possibilities determine the processes of reception and aesthetic experience. For the knowledge of this current paradigm, the need to expand the analysis to the discourses around intermediality that improve new perspectives and ways of approaching the subject of study is evidenced.
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