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  3. Vol. 22 (2012)
Cubierta Anales de Historia del Arte vol 22 (2012)
Vol. 22 (2012)
Published: 2013-04-15

Articles

  • The Demolition of the León City Wall Gates in the 19th and Early 20th Century: An Irreparable Loss of Heritage
    Emilio Morais Vallejo
    9-39
    • PDF (Español (España))
  • Thinking about the city: "Pienza"
    Diego Suárez Quevedo
    41-74
    • PDF (Español (España))
  • Echoes of a Reformation from the Inside. Juan de Valdés, Vittoria Colonna and Michelangelo
    Mario Sánchez Arsenal
    75-102
    • PDF (Español (España))
  • Around the Process of Baroque Characterization of Toledan Altarpiece in Xviith Century
    Antonio José Díaz Fernández
    103-123
    • PDF (Español (España))
  • Maldoror´s Portrait throught the Surrealist "Livre d´Artiste" (1934-1948)
    Iván Moure Pazos
    125-144
    • PDF (Español (España))
  • The Estrujenbank group and its project by the end of the 80’s and the beginning of the 90´s in Madrid
    Carmen González García
    145-166
    • PDF (Español (España))
  • Sex and Destruction in Spanish Surrealism: Buñuel, Dalí and Lorca according to the Death Drive
    María del Carmen Molina Barea
    167-192
    • PDF (Español (España))
  • From a critical art to a socialist art: the itinerary of León Ferrari and Ricardo Carpany as a symptom of the historical transformations of the relationship between art and politics in Argentina (and Latin America) during the Sixties and Seventies
    Jaime Vindel Gamonal
    193-213
    • PDF (Español (España))

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  • (125) The Artist in the Desert. Agnes Martin: Notes on Art and...
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  • (183) El arte de los reinos taifas: tradición y ruptura
  • (172) The Artist in the Desert. Agnes Martin: Notes on Art and...
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Anales de Historia del Arte

p-ISSN 0214-6452  |  e-ISSN 1988-2491  |  ISSN-L 0214-6452
https://dx.doi.org/10.5209/ANHA

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