The reception of the first technovivial responses to the pandemic: #Coronavirusplays
Keywords:
performing arts, social media, contemporary playwriting, reception, #Coronavirusplays
Abstract
This paper analyzes the reception of #Coronavirusplays, one of the first technovivial initiatives, arising in the sphere of Catalan playwriting and extensible to the online community, fostered by confinement due to the SARS-CoV-2 pandemic in 2020. It pays particular attention to the immediate reception and the digital stage formats produced from the study of the online performances of one of the actresses who joined the initiative, to describe later the evolution of the project’s reception until the present.
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Published
2024-01-23
How to Cite
de Orduña Fernández N. . y Lázaro Sanz E. s. . (2024). The reception of the first technovivial responses to the pandemic: #Coronavirusplays. Pygmalion. Revista de teatro general y comparado, 15, 59-79. https://revistas.ucm.es/index.php/PYGM/article/view/93950
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Section
Proscenio