Release the voice from the body or or sound fiction: The specificity of Dramawalker as an exercise of democratic memory

Abstract

This article presents the possibility of understanding the sound fiction Dramawalker –an initiative of the Centro Dramático Nacional– not only as urban memory but also as an exercise of democratic memory taking into account the specificity of the territory in which it is framed. In the same way, it aims to approach the transmedia experience as an intimate and collective intrahistory from a political point of view. To this end, it analyzes two sound fictions: Dramawalker Cañada Real and Dramawalker Vite.