A Semiological Analysis of "Maldito sea el hombre que confía en el hombre: un projet d’alphabétisation (Primera parte)" (2011)

Abstract

One of Liddell’s plays is analyzed semiologically and the evolution of the author's message throughout the show is examined. Furthermore, the study makes visible the vital role of women in the theatrical field. We find ourselves before a theater marked by the breaking of traditional theatrical pacts and the elimination of the limits of creation, representing, therefore, a stimulus for introspection and continuous research, for the generation of new perspectives that ensure vitality and constant development of theater, free of restrictions.