“El tiempo de las imágenes. Notas acerca de la Historia del Arte según Didi-Huberman
Keywords:
Didi-Huberman, Warburg, Anachronism, time, survival.
Abstract
Georges Didi-Huberman’s works about the method of History of Art suggest its re-foundation. It would start with the critic of the traditional time modeling. These works try to propose a new phantom-anachronistic temporality that allows thinking the essential complexity of plastic images. In order to prepare it, Didi-Huberman studies some marginal writers (Walter Benjamin, Carl Einstein, Aby Warburg…). This essay tries to define main characteristics of his proposal by analyzing critically some of Didi-Huberman’s lectures about these thinkers.Downloads
Download data is not yet available.
Article download
Crossmark
Published
2016-10-26
How to Cite
Macho Rromán R. (2016). “El tiempo de las imágenes. Notas acerca de la Historia del Arte según Didi-Huberman. Escritura e Imagen, 12, 7-26. https://doi.org/10.5209/ESIM.54028
Issue
Section
Articles
License
In order to support the global exchange of knowledge, the journal Escritura e Imagen is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
