On the “modernity” of Dante's aesthetics

Abstract

The article aims to explore the extent to which Dante's oft-mentioned "modernity" can apply to the field of aesthetics. The question will need to be answered negatively if we take into consideration the divide existing between modern and medieval aesthetic paradigms. Nonetheless, different hints enable to suggest a certain aesthetic "attitude” in Dante. Particularly in Purgatorio, the poet shows a remarkable awareness with respect to the aesthetic sphere of human experience. That in the poem this domain is presented as one of human imperfection does not exclude its interest. Indeed, it consents to draw analogies with regard to modern contemporary aesthetic visions, with Marquard's ideas on compensation in the background.