The Presence of Gregorian Chant in the Works of the Chilean Composer Alfonso Letelier Llona
Abstract
This article seeks to demonstrate the various ways in which Gregorian chant is quoted, developed or transformed in four works by the Chilean composer Alfonso Letelier Llona (1912-1994) and the areas of meaning generated in each case. To this effect, various theoretical references have been considered, such as Hatten (1994), Nommick (2005) and López Cano (2018), and an analytical framework applied comprising the poiesis and circulation of each work, the discourse of reception and intertextual use of Gregorian chant.
Downloads
Article download
Crossmark
License
In order to support the global exchange of knowledge, the journal Cuadernos de Música Iberoamericana is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
