Feudalia, Ortega y Garcete: sobre la parodia política en la obra de Les Luthiers

Abstract

This article suggests the need for an in-depth study of the concept of parody in reference to music, re-examining two different approaches to this concept in the field of literary theory and the way in which some musicologists have interpreted them. It concludes with a conceptualisation considered for the first time in this discipline. The works of the Argentine group Les Luthiers dealing with the theme of political parody, serve as a basis for this line of argument.