Moral digital literacy for the detection of deepfakes and audiovisual fakes

Keywords: Digital literacy, Deepfake, Audiovisual fake, Artificial intelligence, Anti-fake software, Visual parameters

Abstract

Deepfakes are manipulated videos where a person's face is supplanted by that of another through Artificial Intelligence. These photorealistic contents can become weapons of harassment, propaganda or social conflict. This theoretical innovation research delves into the emerging scientific literature on deepfake in Social Sciences, laying its foundations on the research of Wenceslao Castañares. Its objectives are to analyse the phenomenon, find tools to detect and combat it, and inaugurate a new way of moral digital literacy of special interest in the field of communication, due to its social and political importance. A two-step diachronic methodology is used. First, a longitudinal bibliographic investigation is carried out and a historical, systemic and descriptive description is offered, with the most important features of the phenomenon, nature, operation and possible uses. Second, there is a conscious scientific observation of more than fifty deepfake videos, to perceive the phenomenon, achieve greater generalization and guarantee the validity of the results. The results show that although detection software for this type of fakes has been created, it is not yet freely available. The only way to recognize the deepfake is through a digital moral education, which can detect a series of hyper-realistic visual parameters: the frequency of blinking, the subtle intermittent effect of the faces or the transitions between the head and neck.

Downloads

Download data is not yet available.

Author Biographies

Víctor Cerdán Martínez, Universidad Complutense de Madrid

Profesor Ayudante Doctor en el Departamento de Ciencias de la Comunicación Aplicada de la Universidad Complutense de Madrid. Entre 2015 y 2017, dirigió la serie de documentales Héroes Invisibles, producida por RTVE. Sus obras artísticas, Radio Atacama, ‘El mal’ y Caracoles Serranos, han sido premiadas y expuestas en decenas de festivales de cine internacionales.

Graciela Padilla Castillo, Universidad Complutense de Madrid

Coordinadora del Grado en Periodismo, Facultad de Ciencias de la Información UCM. Acreditada a Profesora Titular. Un sexenio de investigación 2009-2014. Ha completado su formación posdoctoral en la Universidad de California en Los Ángeles (UCLA) y ha viajado como experta en estudios de género, a la Benemérita Universidad Autónoma de Puebla (BUAP, México). Es autora y coautora de un centenar de capítulos de libro y artículos académicos, publicados en revistas de alto impacto. Asimismo, ha participado en más de una treintena de investigaciones con subvenciones competitivas, subvenciones privadas y proyectos de innovación docente.

View citations

Crossmark

Metrics

Published
2020-06-05
How to Cite
Cerdán Martínez V., García Guardia M. L. y Padilla Castillo G. (2020). Moral digital literacy for the detection of deepfakes and audiovisual fakes. CIC. Cuadernos de Información y Comunicación, 25, 165-181. https://doi.org/10.5209/ciyc.68762