Orfeo y Eurídice en el cómic
Abstract
In this article, we analyse the survival of Orpheus and Eurydice’s myth in a peripheral literary genre: the comic-book. Dino Buzzati (1969), neil Gaiman (1991) and Max (1994) offer their own vision of the classical myth with the image and the word. They know the classical sources, but ad besides the versions of other authors that have recreated the history of the poor lovers.Downloads
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