An animated transcendental field: Idea and intensity in Gilles Deleuze’s ontology

Abstract

In Différence et répétition, the transcendental field is presented through the concepts of Idea and intensity. A lot has been said about these concepts, but the relation between them is still a subject of dispute. In this article we aim to shed light upon this knot. First, we will show that intensity is actual, and not virtual nor intermediate like some interpretations suggest. In this point, our reading of the book from 1968 is complemented with Le pli. Leibniz et le Baroque, to show that the actual status of intensity remains the same in the late works of Deleuze. Then, we will explore the relation between intensity and the three characters of the Idea and with the dramatization commanding actualization. After that, the bond between Idea and intensity will be thought through the problem of expression. This results, at last, in a complex articulation between these two planes from the point of view of their order of constitution. In this point, it will be key to put together concepts from both Différence et répétition and Logique du sens.