From Cosmos to Chaosmos in the contemporary reappropriation of the Baroque. Towards a new normativity to confront the epochal crisis

Abstract

The essay aims to illuminate the current crisis, as it has been diagnosed by important currents of contemporary European thought, from the baroque remarkably the Hispanic perspective. The author argues that one of the fundamental figures of the Baroque is what he calls an infinite aporethic difference. According to this, Baroque understands the world as a set of differences that bind aporethically tending to infinity. This figure is, at the same time, shown as a critical operator with regard to reality, which has lost its pre-modern configuration as Cosmos. The author also holds that in its present projection, the figure of the infinite aporethic difference takes the form of a new normativity, namely, that of the Chaosmos, which is particularly visible in post-structuralism and in the Ibero-American Neo-baroque. By its virtue, it is possible to distinguish two ways of coping with the current crisis. The chaosmotic one would be characteristic of a compromised strong trans-modernity, which contrasts with the evasive weak postmodernity. This problem is finally investigated from the point of view of the subtle baroque heroism and its shadow in the present.