The master Ysambart and the late gothic renovation in Castile: Palencia, the Saldaña’s funerary chapel in Tordesillas and Seville

  • Juan Carlos Ruiz Souza
  • Antonio García Flores
Keywords: Ysambart, Pedro Jalopa, Luna’s Family, Saldaña’s Chapel, Flamboyant Gothic, Seville Cathedral, Palencia Cathedral, Don Alvaro de Luna’s Chapel

Abstract

This article studies how Palencia and Tordesillas lead the gothic renovation in the Crown of Castile, before Burgos and Toledo, during the reign of Juan II (1406-54) with the new technical and sculpture language that stems from the Late Gothic imported from the north (France, Bourgogne, Flanders). We study the relationship between Luna’s family and the master Ysambart, who works first in Aragon (Lerida, Daroca and Zaragoza) before going to Castile (Palencia and Sevilla). We think Ysambart could work in Tordesillas too with the master Pedro Jalopa in the wonderful Saldaña’s funerary chapel, where Elvira Portocarrero, the first Alvaro de Luna’s wife, was buried. Later, Ysambart would go to Seville Cathedral and Jalopa went to the Toledo cathedral where he’ll be the master of the Don Alvaro de Luna’s Chapel.

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Published
2010-02-19
How to Cite
Ruiz Souza J. C. y García Flores A. (2010). The master Ysambart and the late gothic renovation in Castile: Palencia, the Saldaña’s funerary chapel in Tordesillas and Seville. Anales de Historia del Arte, 19, 43-76. https://revistas.ucm.es/index.php/ANHA/article/view/ANHA0909110043A
Section
Articles