Sombras, luces y penumbras en ambientaciones y figuraciones artísticas a fines del siglo XVI e inicios del XVII

Abstract

Considerations and reflectios about nocturnal paintings and architectural spaces, deliberately conceived, during the years at the end of XVI and early XVII centuries, to connect with questions of philosophy and literature contemporary (mainly, san Juan de la Cruz, Giordano Bruno and Tomasso Campanella). Throughout, a spiritualy night, fundamentally, about the venetian pictorial school of XVI century (Lorenzo Lotto, Tiziano, Veronese, Tintoretto and Jacopo Bassano), El Greco, Caravaggio and some caravaggistes, and finally works of Ribera in early XVII century.