Slaying the Dragon; slaying the Devil. Nature as the Setting of Saint Michael and Saint George in some Late Medieval and Renaissance pictorial examples (15th and early 16th centuries)
Abstract
Nature became a frequent topic in Late Medieval and Renaissance paintings about Saint Michael and Saint George slaying the dragon or the Devil. These saints started to have a strong presence in the Western Medieval visual culture in the 12th century. The objective to show the victory of Christianity over the religious enemy involved complex image devices increasingly credible and impressive. Therefore, nature became the favourite setting for these battles due to the introduction of certain details, plants and animals to allude to the wild and untamed associated with evil forces. This paper aims to discuss these points in some European paintings made during the 15th and early 16th centuries.
Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Anales de Historia del Arte is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.