Inah Costa and the horizons of the history of women artists in Brazil
Abstract
The present article discuss the questions around the written of women artists history in Brazil, since the critic feminism viewpoint of art history. In addition to upsdate the Bra-zilian case, we intend show the application by the theories responsibles for discuss one androcentric arte history by way an specific research about de painter Inah D’Ávila Costa (1915-1998). The subject that shows here focus on the 1980s in Brazil, character-ized, at the same time, by the feminist movimentation and for the ealier publications around the women history, and, as well as, by the enthusiasm in brazilian art with the « return of painting» and the top of Inah´s career.Downloads
Article download
Metrics
License
In order to support the global exchange of knowledge, the journal Anales de Historia del Arte is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.