José Parada and the dream of a scientific painting in Nineteenth century Spain

  • Laura González Martínez Universidad Complutense de Madrid Departamento de Historia del Arte (III)
DOI: https://doi.org/10.5209/rev_ANHA.2013.v23.41920
Keywords: Scientific Painting, Spanish Ninetheenth Century Painting, Artistic Anthropology, José Parada y Santín, José Gutiérrez Solana.

Abstract

The aim of this essay is the analysis of the development of the concept of “Scientific Painting” through one of its most representative Spanish figures: José Parada y Santín. His theoretical framework and methodology will be considered. Moreover, an evaluation of his real achievement of his theory through his painting will be carried out. Finally, an analysis of his disciple’s art work José Gutiérrez Solana will allow us to reveal the paradoxical end of the Scientific Painting.

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Published
2013-04-29
How to Cite
González Martínez L. (2013). José Parada and the dream of a scientific painting in Nineteenth century Spain. Anales de Historia del Arte, 23(Especial), 345-358. https://doi.org/10.5209/rev_ANHA.2013.v23.41920
Issue
Vol. 23 No. Especial (2013): Investigaciones en historia del arte
Section
Articles

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