From a critical art to a socialist art: the itinerary of León Ferrari and Ricardo Carpany as a symptom of the historical transformations of the relationship between art and politics in Argentina (and Latin America) during the Sixties and Seventies
Keywords:
Art, Politics, Latin America, vanguard, Anti-Intellectualism.
Abstract
It would be difficult to attempt to understand the radicalisation of the Argentinean art scene in the time spanning from the late fifties to the early seventies without turning to the intellectual career of two artists: Ricardo Carpani and León Ferrari. Both men exercised a marked influence over their contemporaries, becoming gravitational centres in the understanding and the development of the connections between art and politics during the period.Downloads
Download data is not yet available.
Article download
Crossmark
Published
2013-01-29
How to Cite
Vindel Gamonal J. (2013). From a critical art to a socialist art: the itinerary of León Ferrari and Ricardo Carpany as a symptom of the historical transformations of the relationship between art and politics in Argentina (and Latin America) during the Sixties and Seventies. Anales de Historia del Arte, 22, 193-213. https://doi.org/10.5209/rev_ANHA.2012.v22.41329
Issue
Section
Articles
License
In order to support the global exchange of knowledge, the journal Anales de Historia del Arte is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
