The role of Galdós' characters in three of his plays, based on the analysis of social networks
Abstract
The aim of this study is to analyze the social networks of three of Galdós' dramas - Doña Perfecta, Electra and Cassandra - using Digital Humanities tools. To this end, several questions are raised: the importance of female characters and the protagonists who give titles to dramas; whether there is any difference between works adapted from novels and that which is a dramatic piece from its origin; and if the social networks of these Galdosian works are different from those of other contemporary pieces (by Valle-Inclán or Lorca). The results obtained allow us to observe, always from a quantitative point of view, that sex is not decisive as a differentiating element or protagonist, that the social networks are quite similar in the three works and that they do differ from those obtained in the examples adduced by Valle-Inclán and Lorca. For this reason, the possibility of adding this type of analysis to the study of literary works is proposed.
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