An ontology of American monstrosity. From the fabulous monster to the ontological monster
Abstract
This paper studies how Europe conceived America, not only as a place inhabited by monsters, but also as a monstrous space in itself, as soon as its mere appearance meant an alteration of the previous ontological order. By way of illustration we analyze how the Europeans imagined projected on America each of the different theratologic currents (Medieval, Renaissance and Baroque) that dominated during the 16TH and 17TH centuries
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