Scenarios of remorse. Ciudad Universitaria and Civil War in Death of a Cyclist (Muerte de un ciclista, Juan Antonio Bardem, 1955)

  • Luis Deltell Universidad Complutense de Madrid
  • Marta García Sahagún Universidad Rey Juan Carlos
Keywords: Civil War, Ciudad Universitaria, Madrid, Spanish Cinema, Bardem,

Abstract

This work examines Death of a Cyclist (Juan Antonio Bardem, 1955) as a film-event, film-evénement, and explores the resignification that its director gives to the space of Madrid's Ciudad Universitaria. Bardem's film is seen as the first Spanish movie to portray a different narrative of the consequences of the Civil War on the victors and uses the University and its value as an example of territory critical towards the regime, serving as a symbolic precedent of the first student demonstrations in Spain during the Franco regime.

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Published
2020-10-27
How to Cite
Deltell L. y García Sahagún M. (2020). Scenarios of remorse. Ciudad Universitaria and Civil War in Death of a Cyclist (Muerte de un ciclista, Juan Antonio Bardem, 1955). Historia y Comunicación Social, 25(2), 355-367. https://doi.org/10.5209/hics.72268
Section
Monografía