The visual style of Dick Pope and Mike Leigh: An analysis of their films.
Keywords:
Visual style, visual communication, cinematography.
Abstract
Visual style as part of cinema style reveals the necessity of considering what other cinema creators –like cinematographers– provide to a film. For though, visual style of Dick Pope and Mike Leigh films is analyzed. Firstly, theoretical basis that define stylometry, visual style and quantifiable photographic variables that are part of it, are established. Later on, with a methodology that combines a qualitative and a quantitative approach, an analysis is conducted.Downloads
Download data is not yet available.
Article download
Crossmark
Published
2014-01-15
How to Cite
Cortés-Selva L. (2014). The visual style of Dick Pope and Mike Leigh: An analysis of their films. Historia y Comunicación Social, 18, 491-501. https://doi.org/10.5209/rev_HICS.2013.v18.43983
Section
Articles
License
In order to support the global exchange of knowledge, the journal Historia y Comunicación Social is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
