Queer roots of Splatterpunk: transgression, loss, and reclamation of the horror subgenre
Abstract
Splatterpunk, a subgenre of horror known for its graphic depiction of extreme violence, has been intrinsically linked to queer experiences and perspectives since its emergence in the 1980s and 1990s. Authors such as Clive Barker and Poppy Z. Brite explored themes of subversive sexuality, pain, desire, and social critique, challenging traditional narratives and genre stereotypes. This article examines how splatterpunk served as a vehicle of expression for queer individuals, allowing for the transgression of cultural norms. It also addresses how the genre deteriorated in the new century into superficial exploitation, and how contemporary authors like Alison Rumfitt are reclaiming it to address modern queer issues with critical depth. The analysis highlights the cultural impact and relevance of splatterpunk as a space for representing queer experiences in horror.
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